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  <titleInfo>
    <title>What cinema is!</title>
    <subTitle>Bazin's quest and its charge</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Andrew, James Dudley</namePart>
    <namePart type="date">1945-</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
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  <typeOfResource>text</typeOfResource>
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  <originInfo>
    <place>
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    <place>
      <placeTerm type="text">Chichester, West Sussex, U.K</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Malden, MA</placeTerm>
    </place>
    <publisher>Wiley-Blackwell</publisher>
    <dateIssued>2010</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xxvii, 152 pages : illustrations ; 23 cm.</extent>
  </physicalDescription>
  <abstract>What Cinema Is! offers an engaging answer to Andre Bazin'sfamous question, exploring his 'idea of cinema' with a sweepinglook back at the near century of Cinema's phenomenal ascendancy.</abstract>
  <tableOfContents>Prologue: the target of film theory -- The camera searching in the world -- Is a camera essential? -- The Cahiers axiom -- Tracing Bazin's trace -- Images contested today -- The editor's discovery of form -- Bazin's forerunners -- Documentaries in the cauldron of history -- The Cahiers line -- Pursuing cinema in the twenty-first century -- The projector as spectator's searchlight -- The power of projection -- Opening the screen's dimensions -- Frame as threshold -- Writing out of the frame -- The evolution of the subjects of cinema -- Modern film: between classic and avant-garde -- The ontogeny of cinema -- Credits and auteurs: an ecology of adaptation -- Fidelity: the economy of adaptation.</tableOfContents>
  <note type="statement of responsibility">Dudley Andrew.</note>
  <note>Includes bibliographical references and index.</note>
  <subject authority="lcsh">
    <topic>Motion pictures</topic>
    <topic>Philosophy</topic>
  </subject>
  <subject>
    <topic>Cine</topic>
    <topic>Filosofía</topic>
  </subject>
  <subject>
    <topic>Filosofía del cine</topic>
  </subject>
  <classification authority="lcc">PN 1995 A562w 2010</classification>
  <classification authority="ddc">793.01</classification>
  <relatedItem type="series">
    <titleInfo>
      <title>Blackwell manifestos</title>
    </titleInfo>
  </relatedItem>
  <identifier type="isbn">9781405107600 (hardcover : alk. paper)</identifier>
  <identifier type="isbn">140510760X (hardcover : alk. paper)</identifier>
  <identifier type="lccn">2010004702</identifier>
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    <recordCreationDate encoding="marc">100208</recordCreationDate>
    <recordChangeDate encoding="iso8601">20240207145318.0</recordChangeDate>
    <recordIdentifier source="BJBSDDR">121336</recordIdentifier>
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      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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