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  <titleInfo>
    <title>Postmodernism and film</title>
    <subTitle>rethinking Hollywood's aesthetics</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Constable, Catherine.</namePart>
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    <place>
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    <publisher>Wallflower Press</publisher>
    <dateIssued>[2015]</dateIssued>
    <dateIssued encoding="marc">2015</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
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    <extent>vii, 135 p. : ill. ; 20 cm.</extent>
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  <abstract>"This volume focuses on postmodern film aesthetics, and contemporary challenges to the aesthetic paradigms dominating analyses of Hollywood cinema. It explores conceptions of the classical, modernist, post-classical/new Hollywood, and their construction as linear history of style in which postmodernism forms a debatable final act. This history is challenged by using Jean-Francois Lyotard's non-linear conception of postmodernism in order to view postmodern aesthetics as a paradigm that can occur across the history of Hollywood. This study also explores 'nihilistic' theorists of the postmodern. Jean Baudrillard and Frederic Jameson, and 'affirmative' theories, notably Linda Hutcheon, charting the ways in which the latter provide the means to conceptualise nuanced and positive variants of postmodern aesthetics and deploying them in the analysis of Hollywood films, including Bombshell, Sherlock Junior and Kill Bill."-- From back cover.</abstract>
  <note type="statement of responsibility">Catherine Constable.</note>
  <note>Includes bibliographical references (pages 123-128) and index.</note>
  <subject>
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  <subject authority="lcsh">
    <topic>Motion pictures</topic>
    <geographic>United States</geographic>
    <topic>Aesthetics</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Postmodernism</topic>
    <geographic>United States</geographic>
  </subject>
  <subject authority="lcsh">
    <topic>Motion pictures</topic>
    <geographic>United States</geographic>
    <topic>History</topic>
    <temporal>20th century</temporal>
  </subject>
  <subject authority="lcsh">
    <topic>Motion pictures</topic>
    <geographic>United States</geographic>
    <topic>History</topic>
    <temporal>21st century</temporal>
  </subject>
  <subject authority="lcsh">
    <geographic>Hollywood (Los Angeles, Calif.)</geographic>
  </subject>
  <subject>
    <topic>Cine</topic>
    <topic>Historia</topic>
    <geographic>Estados Unidos</geographic>
    <temporal>Siglo XX</temporal>
  </subject>
  <subject>
    <topic>Cine</topic>
    <topic>Historia</topic>
    <geographic>Estados Unidos</geographic>
    <temporal>Siglo XXI</temporal>
  </subject>
  <subject>
    <topic>Cine</topic>
    <topic>Estética</topic>
  </subject>
  <subject>
    <topic>Cine</topic>
    <topic>Historia</topic>
    <geographic>Estados Unidos</geographic>
  </subject>
  <classification authority="lcc">PN 1995 C756p 2015</classification>
  <classification authority="ddc">791.4301</classification>
  <relatedItem type="series">
    <titleInfo>
      <title>Short cuts: introductions to film studies ; 60</title>
    </titleInfo>
  </relatedItem>
  <relatedItem type="series">
    <titleInfo>
      <title>Short cuts (London, England) ; 60</title>
    </titleInfo>
  </relatedItem>
  <identifier type="isbn">9780231174558 (pbk. : alk. paper)</identifier>
  <identifier type="isbn">0231174551 (pbk. : alk. paper)</identifier>
  <identifier type="lccn">2015298115</identifier>
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