03910cam a2200433 i 4500 122078 20230410130617.0 141107r20152010enka b 001 0 eng 2014041192 9781472575241 (paperback) 9781472575258 (ePDF) 9781474249225 (ePub) DLC eng DLC rda pcc PN 1995 E23l 2015 791.43014 Edgar-Hunt, Robert. The language of film / Robert Edgar, John Marland, Steven Rawle. 2nd ed. London ; New York : Fairchild Books, an imprint of Bloomsbury Publishing PLC, [2015] 216 pages : illustrations (chiefly color) ; 23 cm "First published in 2010." "Becoming an effective filmmaker involves being deliberately mindful of the structures and conventions that allow film to communicate meaning to a global audience. The Language of Film explores complex topics such as semiotics, narrative, intertextuality, ideology and the aesthetics of film in a clear and straightforward style, enabling you to apply these ideas and techniques to your own analysis or film-making. With full-colour film stills, in-depth case studies and a wide range of practical exercises, The Language of Film will help you to make the transition from consumer to practitioner - from someone who just responds to the language of film, to someone who actively uses it. In the second edition, a new chapter examines how sound contributes to narrative and space to tell stories, create imaginary worlds and shape the realist (and often non-realist) effect of cinema. Along with two case studies from the first edition, Seven (dir: David Fincher) and Citizen Kane (dir: Orson Welles), the second edition also includes five new case studies: The Secret Life of Walter Mitty (dir: Ben Stiller), Dead Man's Shoes (dir: Shane Meadows), Hero (dir: Yimou Zhang), Berberian Sound Studio (d: Peter Strickland) and Psycho (d: Alfred Hitchcock)"-- Provided by publisher. Includes bibliographical references and index. Machine generated contents note: -- Introduction -- Chapter 1 - Semiotics: Images; The Visual Mind; Reading the Signs; Making Meaning; Codes and Filters; Case study: Seven (d: David Fincher, US); Chapter 1 Summary. Chapter 2 - Narrative: Theories of Storytelling; Structuralism; Theories of Structure; Genette's Narrative Discourse; Case Study: The Secret Life of Walter Mitty (dir: Ben Stiller); Chapter 2 Summary. Chapter 3 - Intertextuality: Text; Quotation; Allusion; Cult Film; Genre; Case Study: Citizen Kane (dir: Orson Welles); Chapter 3 Summary. Chapter 4 - Ideology: Ideological Analysis; Realism; Ideology and Genre; Case study: Dead Man's Shoes (dir: Shane Meadows); Chapter 4 Summary. Chapter 5 - Frames and Images: The Shot; Distance, Height and Framing; Mise en Scene; The Mobile Camera Frame; Time and the Long Take; Case Study: Hero (dir: Yimou Zhang); Chapter 5 Summary.Chapter 6 - Sound: Film: An Audio-visual Medium; Sound Properties; Diegetic and Non-diegetic Sound; Off-screen Space and Audio; The voice; Music; Case study: Berberian Sound Studio (dir: David Strickland); Chapter 6 Summary.Chapter 7 - Constructing Meaning: Continuity Editing; Discontinuity Editing; Montage; Pacing; Space; Case study: Psycho (dir: Alfred Hitchcock); Chapter 7 Summary.Conclusion. Motion pictures Semiotics. Motion pictures Production and direction. Cinematography. 20160300. Lenguaje cinematográfico. Cine. Expresión cinematográfica. Procedimientos fílmicos. Cine Historia y crítica. Crítica de cine. Marland, John. Rawle, Steven. lcc bk 77090 77090 0 0 lcc 0 0 HU BJB BJB HU 2023-04-10 1 0 PN 1995 E23l 2015 00000114869 2018-10-25 00:00:00 1 2018-10-25 bk