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  <titleInfo>
    <title>Dalí, surrealism and cinema</title>
  </titleInfo>
  <name type="personal">
    <namePart>King, Elliott H.</namePart>
    <role>
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    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">enk</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Harpenden, UK</placeTerm>
    </place>
    <publisher>Kamera Books</publisher>
    <dateIssued>2007</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>218 pages, 6 unnumbered pages of plates :  illustrations (some color), portraits ;  20 cm.</extent>
  </physicalDescription>
  <abstract>One of the most widely recognized and controversial artists of the 20th century, Salvador Dali was also an avant-garde filmmaker, collaborating with such giants as Luis Bunuel, Walt Disney, and Alfred Hitchcock. Influenced by the Marx Brothers, Buster Keaton, and Stanley Kubrick, Dali used the cinema to bring the "dream subjects" of his paintings to life, providing the groundwork for revolutionary forays into television, video, photography, and holography. From a movie going experience that would incorporate all five senses to the tale of a woman's hapless love affair with a wheelbarrow, Dali's hallucinatory vision never fails to leave its indelible mark, while his writings continue to be relevant to discourses surrounding film and surrealism.</abstract>
  <tableOfContents>Salvador Dali, the youngest, most sacred monster of the cinema in his time
Art and Anti-art
C'est un film surréaliste!
Hollywood
Later films</tableOfContents>
  <note type="statement of responsibility">Elliott H. King.</note>
  <note>Includes bibliographical references and index.</note>
  <subject>
    <name type="personal">
      <namePart>Dalí, Salvador</namePart>
      <namePart type="date">1904-1989</namePart>
    </name>
  </subject>
  <subject>
    <name type="personal">
      <namePart>Dalí, Salvador</namePart>
      <namePart type="date">1904-1989</namePart>
    </name>
    <topic>Crítica e interpretación</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Surrealism in motion pictures</topic>
  </subject>
  <subject>
    <topic>Surrealismo en el cine</topic>
  </subject>
  <classification authority="lcc">PN 1998.3 K52d 2007</classification>
  <classification authority="ddc">791.430233092</classification>
  <identifier type="isbn">9781904048909 (pbk.)</identifier>
  <identifier type="isbn">1904048900 (pbk.)</identifier>
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    <recordCreationDate encoding="marc">080123</recordCreationDate>
    <recordChangeDate encoding="iso8601">20240208153208.0</recordChangeDate>
    <recordIdentifier source="BJBSDDR">127921</recordIdentifier>
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      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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