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  <titleInfo>
    <title>Reconstructing American historical cinema</title>
    <subTitle>from Cimarron to Citizen Kane</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Smyth, J. E.</namePart>
    <namePart type="date">1977-</namePart>
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    <place>
      <placeTerm type="text">Lexington</placeTerm>
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    <publisher>University Press of Kentucky</publisher>
    <dateIssued>2009</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
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    <extent>xiii, 447 pages : illustrations ; 24 cm.</extent>
  </physicalDescription>
  <abstract>Explores Hollywood's pivotal interpretations of national history during the height of the studio system. This work uncovers Hollywood's diverse and conflicted attitudes toward American history in narratives including nineteenth-century frontier epics, gangster biopics, and histories of silent-era Hollywood.</abstract>
  <tableOfContents>List of illustrations --  Acknowledgments --  Introduction : toward a filmic writing of history in classical Hollywood --  [pt]. 1. Traditional and modern American history --  1. The --  new American history : Cimarron, 1931. 2. Contemporary history in the Age of Scarface, 1932. [pt]. 2. Resolving westward expansion --  3. Competing frontiers, 1933-1938. 4. The --  return of our epic America, 1938-1941. [pt]. 3. Civil War and Reconstruction --  5. Jezebels and rebels, cavaliers and compromise, 1930-1939 -. 6. The --  lives and deaths of Abraham Lincoln, 1930-1941. [pt]. 4. Veterans of different wars --  7. War in the Roaring Twenties, 1932-1939. 8. The --  last of the long hunters, 1938-1941. [pt]. 5. Hollywood history --  9. Stars born and lost, 1932-1937. 10. A. Hollywood cavalcade, 1939-1942. Conclusion : From Land of Liberty to the decline and fall of Citizen Kane --  Appendixes --  Notes --  Selected bibliography --  Index.</tableOfContents>
  <note type="statement of responsibility">J. E. Smyth.</note>
  <note>Includes bibliographical references (pages 413-433) and index.</note>
  <subject authority="lcsh">
    <topic>Historical films</topic>
    <geographic>United States</geographic>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Motion pictures and history</topic>
  </subject>
  <subject>
    <topic>Películas históricas</topic>
    <topic>Historia y crítica</topic>
    <geographic>Estados Unidos</geographic>
  </subject>
  <subject>
    <topic>Cine e historia</topic>
  </subject>
  <classification authority="lcc">PN 1995.9 S667r 2009</classification>
  <classification authority="ddc">791.43</classification>
  <identifier type="isbn">9780813192390 (pbk. : alk. paper)</identifier>
  <identifier type="isbn">0813192390 (pbk. : alk. paper)</identifier>
  <identifier type="isbn">0813124069 (alk. paper)</identifier>
  <identifier type="isbn">9780813124063 (alk. paper)</identifier>
  <identifier type="uri">http://www.loc.gov/catdir/toc/ecip0615/2006020064.html</identifier>
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