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  <titleInfo>
    <title>Scriptwriting</title>
  </titleInfo>
  <name type="personal">
    <namePart>Edgar-Hunt, Robert.</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Marland, John.</namePart>
  </name>
  <name type="personal">
    <namePart>Richards, James.</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
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    <place>
      <placeTerm type="text">Lausanne ; Worthing</placeTerm>
    </place>
    <publisher>AVA Academia</publisher>
    <dateIssued>2009</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>207 p. : : ill. (some color) ; 23 cm.</extent>
  </physicalDescription>
  <abstract>Suitable for students on film production courses and those wishing to write a short film, this book helps readers learn the key elements of screenwriting through examining areas such as dialogue, sound, setting, shots and structure. It provides advice to new film-makers on how to market their productions.</abstract>
  <tableOfContents>How to get the most out this book. Introduction. What is screenplay?: The screenwriter; Writing for the screen; What is script? Script forms - feature film/short film; Good practice; Finding your ideas. Concept/Treatment/Pitch: Essential elements of storytelling; Genre/form; Log lines; Treatment; Step treatment; The pitch; Script formats. First draft: Character; Creating the world; The physical world - mise en scene; Action; Tone and genre; Dialogue. Second draft: Writing the second draft; Whose story is this?; Voice-over; Making dialogue convincing; How do I explain what's happening?; Refining dialogue; Mise en scene - next steps; Beginnings and endings. Script editing: Critiquing and feedback; Analysis: character and world; Analysis: action, interaction and structure; Analysis: word and image; Analysis: closure/ambiguity; After effects and meaning. Screenwriters: unscripted 144: Alisha McMahon; James Condon; Thomas Gladstone and Alexander Johnson; Alexander Woodcock; Mark Herman. Conclusion. Glossary. A Nice Cup of tea; complete drafts. Picture credits. Acknowledgements.</tableOfContents>
  <note type="statement of responsibility">Robert Edgar-Hunt, John Marland and Jimmy Richards.</note>
  <subject authority="lcsh">
    <topic>Television authorship</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Motion picture authorship</topic>
  </subject>
  <subject>
    <topic>20160300</topic>
  </subject>
  <subject>
    <topic>Guiones cinematográficos</topic>
  </subject>
  <subject>
    <topic>Guiones cinematográficos</topic>
    <topic>Técnica</topic>
  </subject>
  <subject>
    <topic>Guiones cinematográficos</topic>
    <topic>Teorías</topic>
  </subject>
  <subject>
    <topic>Cine</topic>
  </subject>
  <classification authority="lcc">PN 1996 E23s 2009</classification>
  <classification authority="ddc">791.37</classification>
  <relatedItem type="series">
    <titleInfo>
      <title>Basics film-making ; 02</title>
    </titleInfo>
  </relatedItem>
  <identifier type="isbn">2940373892</identifier>
  <identifier type="isbn">9782940373895</identifier>
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    <recordChangeDate encoding="iso8601">20230410130636.0</recordChangeDate>
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