01834nam a2200277   4500003000800000005001700008007000300025008004100028020002200069020002500091040001700116041000800133050002400141245007000165260005800235300004700293490005700340504003300397504006200430505057700492520031301069600006601382630004701448700002501495830003601520BJBSDDR20240111122134.0ta060907s2000    enk                 eng    a0521559202 (pbk.)  a9780521559508 (pbk.)  bspacBJBSDDR  aeng14aPN 1997 bF819 200000aFrancis Ford Coppola's Godfather trilogy /cedited by Nick Browne  aCambridge : bCambridge University Press,c2000        axiv, 191 pages : bilustrations ; c24 cm.1 aThe Cambridge University Press film handbooks series  aFilmography: pages 157-166.
  aIncludes bibliographical references (page 183) and index.0 aAcknowledgements; List of contributors; Fearful a-symmetries: violence as history in the Godfather films Nick Browne; 1. If history has taught us anything ... Francis Coppola, Paramount Studios, and The Godfather Parts I, II and III Jon Lewis; 2. The Godfather and the mythology of Mafia Alessandro Camon; 3. The representation of ethnicity in The Godfather Vera Dika; 4. Ideology and genre in the Godfather films Glenn Man; 5. Family ceremonies: or, opera in The Godfather trilogy Naomi Greene; Filmography; Reviews of the 'Godgather' trilogy; Select bibliography; Index.  aAmong the most elaborate examples of crime film, the films in The Godfather trilogy provide a complex look at a whole segment of American life and culture spanning almost the whole century. In six essays, written especially for this volume, The Godfather trilogy is reexamined from a variety of perspectives.14aCoppola, Francis Ford, d1939- xCrítica e interpretación04aEl padrino (Película cinematográfica) 1 aBrowne, Nickeeditor 0aCambridge film handbooks series