Browne, Nick editor text enk Cambridge Cambridge University Press 2000 monographic eng

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xiv, 191 pages : ilustrations ; 24 cm. Among the most elaborate examples of crime film, the films in The Godfather trilogy provide a complex look at a whole segment of American life and culture spanning almost the whole century. In six essays, written especially for this volume, The Godfather trilogy is reexamined from a variety of perspectives. Acknowledgements; List of contributors; Fearful a-symmetries: violence as history in the Godfather films Nick Browne; 1. If history has taught us anything ... Francis Coppola, Paramount Studios, and The Godfather Parts I, II and III Jon Lewis; 2. The Godfather and the mythology of Mafia Alessandro Camon; 3. The representation of ethnicity in The Godfather Vera Dika; 4. Ideology and genre in the Godfather films Glenn Man; 5. Family ceremonies: or, opera in The Godfather trilogy Naomi Greene; Filmography; Reviews of the 'Godgather' trilogy; Select bibliography; Index. edited by Nick Browne Filmography: pages 157-166. Includes bibliographical references (page 183) and index. Coppola, Francis Ford 1939- Crítica e interpretación PN 1997 F819 2000 0521559202 (pbk.) 9780521559508 (pbk.) 060907 20240111122134.0 spa