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  <titleInfo>
    <title>Clint Eastwood</title>
  </titleInfo>
  <titleInfo type="uniform">
    <title>Clint Eastwood. English</title>
  </titleInfo>
  <name type="personal">
    <namePart>Bénoliel, Bernard</namePart>
    <namePart type="date">1965-</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Robertson, Sarah</namePart>
    <role>
      <roleTerm type="text">translator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">fr</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Paris</placeTerm>
    </place>
    <publisher>Cahiers du cinéma Sarl</publisher>
    <dateIssued>c2010</dateIssued>
    <dateIssued encoding="marc">2010</dateIssued>
    <edition>Rev. English edition</edition>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <language objectPart="translation">
    <languageTerm authority="iso639-2b" type="code">fre</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>102 pages :  illustrations (chiefly color) ;  24 cm.</extent>
  </physicalDescription>
  <abstract>e system took a highly unusual form. After playing iconic roles in Sergio Leone's spaghetti westerns of the 1960s, he returned to Hollywood and underwent a controversial reincarnation as the ultraviolent cop Harry. In the 1970s Eastwwod began to direct and, in the style of the great directors of the past, made masterpieces in the genres ranging from the western (Unforgiven) to film noir (Mystic river) (Back cover)</abstract>
  <tableOfContents>What is an image?: from A fistful of dollars to Escape from Alcatraz -- Finding community: from The outlaw Josey Wales to Pale rider -- Elusive origins: from Tightrope to Mystic river -- 'The bird of time': from Heartbreak ridge to Million dollar baby -- The presence of ghosts: from Flags of our fathers to Invictus.</tableOfContents>
  <note type="statement of responsibility">Bernard Benoliel ; [translated by Sarah Robertson].</note>
  <note>First published in French as Clint Eastwood, c2007 Cahiers du cinéma Sarl.</note>
  <note>Includes filmography (p. 96-99).</note>
  <note>Includes bibliographical references (p. 99).</note>
  <subject authority="lcsh">
    <name type="personal">
      <namePart>Eastwood, Clint</namePart>
      <namePart type="date">1930-</namePart>
    </name>
    <topic>Criticism and interpretation</topic>
  </subject>
  <subject>
    <name type="personal">
      <namePart>Eastwood, Clint</namePart>
      <namePart type="date">1930-</namePart>
    </name>
    <topic>Crítica e interpretación</topic>
  </subject>
  <subject>
    <topic>Productores y directores de cine</topic>
    <geographic>Estados Unidos</geographic>
  </subject>
  <classification authority="lcc">PN 1998.3 B473c 2010</classification>
  <classification authority="ddc">791.430233092</classification>
  <relatedItem type="series">
    <titleInfo>
      <title>Collection Grands cinéastes</title>
    </titleInfo>
  </relatedItem>
  <identifier type="isbn">9782866425708 (pbk.)</identifier>
  <identifier type="isbn">2866425707 (pbk.)</identifier>
  <identifier type="lccn">2011380264</identifier>
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    <recordCreationDate encoding="marc">110223</recordCreationDate>
    <recordChangeDate encoding="iso8601">20250318124239.0</recordChangeDate>
    <recordIdentifier source="BJBSDDR">116029</recordIdentifier>
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      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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