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  <titleInfo>
    <title>Indie, inc</title>
    <subTitle>Miramax and the transformation of Hollywood in the 1990s</subTitle>
  </titleInfo>
  <titleInfo type="alternative">
    <title>Miramax and the transformation of Hollywood in the 1990s</title>
  </titleInfo>
  <name type="personal">
    <namePart>Perren, Alisa.</namePart>
    <role>
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  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">txu</placeTerm>
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    <place>
      <placeTerm type="text">Austin</placeTerm>
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    <publisher>University of Texas Press</publisher>
    <dateIssued>2012</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
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    <extent>x, 308 p. : ill. ; 24 cm.</extent>
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  <abstract>"During the 1990s, films such as sex, lies, and videotape, The Crying Game, Pulp Fiction, Good Will Hunting, and Shakespeare in Love earned substantial sums at the box office along with extensive critical acclaim. A disproportionate number of these hits came from one company: Miramax. Indie, Inc. surveys Miramax's evolution from independent producer-distributor to studio subsidiary, chronicling how one company</abstract>
  <tableOfContents>Finding a niche in the 1990s -- The rise of Miramax and the quality indie blockbuster (1979-fall 1992) -- The "secret" of Miramax's success: The crying game (winter 1992-spring 1993) -- Corsets, clerks, and criminals: Miramax in the age of Disney (summer 1993-spring 1995) -- Another dimension to the Miramax brand: kids, scream, and the teen audience (spring 1995-spring 1997) -- Majors, indies, independents: the rise of a three-tier system (winter 1996-spring 1997) -- Who says life is beautiful? (summer 1997-spring 1999) -- Maxed out: Miramax and indiewood in the new millennium.</tableOfContents>
  <note type="statement of responsibility">Alisa Perren.</note>
  <note>Includes bibliographical references (P. [285]-290) and index.</note>
  <subject>
    <geographicCode authority="marcgac">n-us---</geographicCode>
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  <subject authority="lcsh">
    <name type="corporate">
      <namePart>Miramax Films</namePart>
    </name>
    <topic>History</topic>
  </subject>
  <subject>
    <topic>20151000</topic>
  </subject>
  <subject>
    <topic>Cine independiente y experimental</topic>
    <geographic>Estados Unidos</geographic>
  </subject>
  <subject>
    <topic>Cine</topic>
    <geographic>Estados Unidos</geographic>
  </subject>
  <subject>
    <topic>Cine estadounidense</topic>
  </subject>
  <subject>
    <topic>Cine independiente</topic>
    <geographic>Estados Unidos</geographic>
  </subject>
  <subject authority="lcsh">
    <topic>Independent filmmakers</topic>
    <geographic>United States</geographic>
  </subject>
  <classification authority="lcc">PN 1999 P455i 2012</classification>
  <classification authority="ddc">791.43023092</classification>
  <relatedItem type="series">
    <titleInfo>
      <title>Texas film and media studies series</title>
    </titleInfo>
  </relatedItem>
  <identifier type="isbn">9780292754355</identifier>
  <identifier type="isbn">9780292729124 (cloth : alk. paper)</identifier>
  <identifier type="isbn">029272912X (cloth : alk. paper)</identifier>
  <identifier type="isbn">9780292737150 (lib ebk)</identifier>
  <identifier type="isbn">0292737157 (lib ebk)</identifier>
  <identifier type="lccn">2011048530</identifier>
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    <recordIdentifier>121081</recordIdentifier>
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