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  <titleInfo>
    <title>Writing the breakout novel</title>
  </titleInfo>
  <name type="personal">
    <namePart>Maass, Donald</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Perry, Anne</namePart>
    <namePart type="date">1938-</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
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    <place>
      <placeTerm type="text">Cincinnati, Ohio</placeTerm>
    </place>
    <publisher>Writer's Digest Books</publisher>
    <dateIssued>2002</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>264 p. ; 24 cm.</extent>
  </physicalDescription>
  <abstract>Take your fiction to the next level!Maybe you're a first-time novelist looking for practical guidance. Maybe you've already been published, but your latest effort is stuck in mid-list limbo. Whatever the case may be, author and literary agent Donald Maass can show you how to take your prose to the next level and write a breakout novel - one that rises out of obscurity and hits the best-seller lists. Maass details the elements that all breakout novels share - regardless of genre - then shows you writing techniques that can make your own books stand out and succeed in a crowded marketplace. You'll.</abstract>
  <tableOfContents>Machine generated contents note: Introduction 5 -- You Have the Power to Break Out; How to Use This Book -- CHAPTER ONE -- Why Write the Breakout Novel?-- The Truth About Book Publishing; The Truth About Authors; The Myths of Success; -- The E-Revolution; Where to Go From Here -- CHAPTER TWO -- Premise33 -- The Stories That You Love; Four Facets of Three Great Novels; The Little -- Components of Big Ideas; Build It and the Breakout Premise Will Come; Brainstorming -- the Breakout Premise -- CHAPTER THREE -- Stakes59 -- Creating High Human Worth; Public Stakes; Personal Stakes; Escalating Stakes; Your -- Own Stakes -- CHAPTER FOUR -- Time and Place8 -- The Psychology of Place; Keeping Up With the Times; Working With Historical Forces -- and Social Trends; God at Work in the World; The Secret Ingredient -- CHAPTER FIVE -- C haracters103 -- Real People vs. Larger-Than-Life Figures; What Makes a Character Larger-Than- -- Life?; Dark Protagonists; The Highest Character Qualities; Building a Cast; Advanced -- Character Relationships; Sidekicks and Narrators; Depth and Differentiation of -- Character -- CHAPTER SIX -- P lo t 133 -- Conflict; The Five Basic Plot Elements; Bridging Conflict; What is the Worst That -- Can Happen?; High Moments, Turning Corners, Killing Characters; Structuring Plot; -- Larger Plot Structures -- CHAPTER SEVEN -- Contemporary Plot Techniques163 -- The New Shape of the Novel; The Character-Driven Story; Self-Discovery in the Plot- -- Driven Novel; Nonlinear Narrative; Tension on Every Page -- CHAPTER EIGHT -- Multiple Viewpoints, Subplots, -- Pace, Voice, Endings181 -- Multiple Points of View; Successful Subplots; Narrative Pace; Voice; Endings -- CHAPTER NINE -- Advanced Plot Structures199 -- Families, Groups, Generations; Thrillers; Crossover Fiction; Whole Life; Historicals; -- Out-of-Category Romance; Linked Short Stories; Inventing Your Own Advanced Plot -- Structure -- CHAPTER TEN -- T h e m e229 -- Having Something to Say; Step-by-Step Theme Building; Symbols; Becoming -- Passionate; Right and Wrong in the Novel; The Protagonist's Declaration of Purpose; -- What Makes a Theme Universal?; Discovering Theme -- CHAPTER ELEVEN -- B reaking O ut 247 -- Agent and Editor; The Pitch; Outlines; Breakout Publishing, Breakout Living; -- Success, Sequels, Series and Beyond -- In d e x261.</tableOfContents>
  <note type="statement of responsibility">Donald Maass ; foreword by Anne Perry.</note>
  <note>Includes index.</note>
  <subject authority="lcsh">
    <topic>Fiction</topic>
    <topic>Authorship</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Fiction</topic>
    <topic>Technique</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Fiction</topic>
    <topic>Authorship</topic>
    <topic>Marketing</topic>
  </subject>
  <subject>
    <topic>Novela</topic>
    <topic>Técnicas</topic>
    <topic/>
  </subject>
  <subject>
    <topic>Novela</topic>
    <topic>Autoría</topic>
  </subject>
  <subject>
    <topic>Escritura creativa</topic>
  </subject>
  <classification authority="lcc">PN 3365 M111w 2002</classification>
  <classification authority="ddc">808.3</classification>
  <identifier type="isbn">9781582971827 (pbk)</identifier>
  <identifier type="isbn">158297182X (pbk)</identifier>
  <identifier type="uri">http://www.loc.gov/catdir/toc/fy02/2001022036.html</identifier>
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    <url displayLabel="Table of Contents">http://www.loc.gov/catdir/toc/fy02/2001022036.html</url>
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    <recordCreationDate encoding="marc">010126</recordCreationDate>
    <recordChangeDate encoding="iso8601">20230410130657.0</recordChangeDate>
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