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  <titleInfo>
    <nonSort>The </nonSort>
    <title>novel</title>
    <subTitle>a survival skill</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Parks, Tim (Timothy Harold)</namePart>
    <namePart type="date">1954-</namePart>
    <role>
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  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
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    <place>
      <placeTerm type="text">Oxford</placeTerm>
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    <publisher>Oxford University Press</publisher>
    <dateIssued>2015</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>ix, 185 pages ; 20 cm.</extent>
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  <abstract>'The novel: a survival skill' offers a completely new account of the relationship between writer, text, and reader. Drawing on ideas from systemic psychology and positioning theory, Parks suggests that both the content and style of a novelist's work, the kind of stories told, and the way in which they are told, form part of a more general strategy of suvival that the novelist has developed in reaponse to tensions within his or her family of origin. Radically undermining traditional lit-crit criteria, and deconstructing the pieties with which the novel is usually defended, Parks gives a novelist's own insider account of what may be best understood as the biography of the act of writing itself and its relation to the lives with which it is entwined.</abstract>
  <tableOfContents>1. Four Imagined Meetings
2. Schismogenesis and Semantic Polarities
3. Joyce: A Winner Looking to Lose
4. Good Boy, Bad Boy
5. The Reader's Address
6. Terrifying Bliss
7. Worthy Writers, Worthy Readers</tableOfContents>
  <note type="statement of responsibility">Tim Parks.</note>
  <note>Includes bibliographical references and index.</note>
  <subject authority="lcsh">
    <topic>Fiction</topic>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Fiction</topic>
    <topic>History and criticism</topic>
    <topic>Theory, etc</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Fiction</topic>
    <topic>Psychological aspects</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Books and reading</topic>
  </subject>
  <subject>
    <topic>Novela</topic>
    <topic>Historia y crítica</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Ciencia ficción</topic>
    <topic>Historia y crítica</topic>
  </subject>
  <classification authority="lcc">PN 3491 P252n 2015</classification>
  <classification authority="ddc">809.3</classification>
  <relatedItem type="series">
    <titleInfo>
      <title>The literary agenda</title>
    </titleInfo>
  </relatedItem>
  <relatedItem type="series">
    <titleInfo>
      <title>Literary agenda</title>
    </titleInfo>
  </relatedItem>
  <identifier type="isbn">9780198739593 (paperback)</identifier>
  <identifier type="isbn">0198739591 (paperback)</identifier>
  <identifier type="lccn">2015936769</identifier>
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