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  <titleInfo>
    <title>Contemporary African cinema</title>
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  <name type="personal">
    <namePart>Barlet, Olivier</namePart>
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    <role>
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  </name>
  <name type="personal">
    <namePart>Thackway, Melissa</namePart>
    <role>
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  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">miu</placeTerm>
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    <place>
      <placeTerm type="text">East Lansing</placeTerm>
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    <publisher>Michigan State University Press</publisher>
    <dateIssued>2016</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xiv, 452 pages ; 24 cm.</extent>
  </physicalDescription>
  <tableOfContents>Introduction: for an African film criticism -- The question of criticism -- Thematic continuities and ruptures -- Postcolonial cliches -- Memory and reconciliation -- Styles and strategies -- Economic perspectives -- Conclusion.</tableOfContents>
  <note type="statement of responsibility">Olivier Barlet ; translated by Melissa Thackway.</note>
  <subject authority="lcsh">
    <topic>Motion pictures</topic>
    <geographic>Africa, Sub-Saharan</geographic>
    <topic>History</topic>
    <temporal>21st century</temporal>
  </subject>
  <classification authority="lcc">PN1993.5.A35 B257 2016</classification>
  <classification authority="ddc">791.4309967</classification>
  <identifier type="isbn">9781611862119 (cloth : alk. paper)</identifier>
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