02378cam a22003614i 4500003000800000005001700008007000300025008004100028020001800069020001500087035001300102035002400115040002300139041000800162042000800170043001200178050002600190082001400216100004900230245008600279264006500365300004300430336002600473337002800499338002700527504005100554505062500605520060101230650004501831650005301876650003701929650005001966BJBSDDR20230410130754.0ta150729s2016    caua     b    001 0 eng c  a9780520288638  a0520288637  a18736752  a(OCoLC)ocn948251220  aCU-S/DLCbengcSTF  aeng  apcc  acl-----14aPN 1993.5bS381l 201600a791.430981 aSchroeder Rodríguez, Paul A.,  d1927-202010aLatin American cinema : ba comparative history /cPaul A. Schroeder Rodríguez. 1aOakland, California :bUniversity of California Press,c2016  ax, 365 pages :billustrations ;c23 cm  atextbtxt2rdacontent  aunmediatedbn2rdamedia  avolumebnc2rdacarrier  aIncludes bibliographical references and index.0 aIntroduction -- Part 1. Silent cinema.  Conventional silent cinema ; Avant-garde silent cinema -- Part 2. Studio cinema.  Transition to sound ; Birth and growth of an industry ; Crisis and decline of studio cinema -- Part 3. Neorealism and art cinema.  Neorealism and art cinema -- Part 4. New Latin American cinema.  New Latin American cinema's militant phase ; New Latin American cinema's Neobaroque phase -- Part 5. Contemporary cinema.  Collapse and rebirth of an industry ; Latin American cinema in the twenty-first century -- Conclusion: A triangulated cinema -- Appendix: Discourses of modernity in Latin America.  a"A comparative history of Latin America's national cinemas over the course of five major periods: silent cinema, studio cinema, neorealism/art cinema, the New Latin American Cinema, and contemporary cinema. Close readings of approximately fifty films illustrate the major aesthetic, economic, and technological trends that define each period and the transitions between them. The selection of films reflects the tripartite division of film production in the region: 75 percent are from Brazil, Mexico, and Argentina; 25 percent are from countries other than the big three"--Provided by publisher. 0aMotion pictureszLatin AmericaxHistory. 0aMotion picture industryzLatin AmericaxHistory. 4aCinexHistoriazAmérica Latina 4aIndustria cinematográficazAmérica Latina