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  <titleInfo>
    <title>Making short films</title>
    <subTitle>the complete guide from script to screen</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Thurlow, Max.</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
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  <name type="personal">
    <namePart>Thurlow, Clifford.</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">nyu</placeTerm>
    </place>
    <dateIssued encoding="marc">2012</dateIssued>
    <edition>Third edition.</edition>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xiii, 479 pages : illustrations ; 26 cm</extent>
  </physicalDescription>
  <abstract>Making movies is the most exciting way to earn a living and it is not surprising that media and film studies remain the most popular courses at colleges across the western world. A short film provides an opportunity for elliptical, poetic, condensed story telling. Shorts can take risks rarely seen in features. It is the arena where a strong voice or individual vision is possible; an invitation for experimentation and originality. Making Short Films, 3rd edition is entirely revised and restructured, providing a much more complete and detailed guide to filmmaking, with more information on new technology, illustrations and ideas for best practice.</abstract>
  <tableOfContents>ntroduction to Making Short Films PART I: WHO DOES WHAT 1. The Writer 2. The Producer 3. The Director 4. The Editor 5. The Crew PART II: HARDWARE 6. The Camera 7. Lighting 8. Sound and Music PART III: GETTING IT MADE 9. Crewing 10. Locations 11. Casting 12. Sound Design 13. Music and Post-Production 14. Trade Unions PART IV: FINANCE AND DISTRIBUTION 15. Finance 16. Distribution and Marketing PART V: INTERVIEWS WITH FILM-MAKERS 17. Daniel Mulloy 18. Jack Pizzey 19. David Forster 20. Marina Vroda 21. Paul Andrew Williams 22. One big-name director in addition: being pursued PART VI: SCRIPTS 23. Broken 24. Noise Control 25. GM 26. Room 11 27. The Cross by Marina Vroda PART VII: THE FILM BUFF 28. A Brief History of Short Films + Ten Shorts You Must See 29. Careers 30. Film schools PART VIII: USEFUL INFO Glossary Of Film Terms Film Festivals Useful Addresses in the UK Useful Addresses in the US Bibliography Acknowledgements Index</tableOfContents>
  <note type="statement of responsibility">Max Thurlow and Clifford Thurlow.</note>
  <note>Includes bibliographical references and index.</note>
  <subject authority="lcsh">
    <topic>Short films</topic>
    <topic>Production and direction</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Short films</topic>
    <topic>Authorship</topic>
  </subject>
  <classification authority="lcc">PN1995.9.P7 T538 2012</classification>
  <classification authority="ddc" edition="23">791.43/6</classification>
  <identifier type="isbn">9780857853868 (Hardcover : alk. paper)</identifier>
  <identifier type="isbn">9780857853875 (Paperback : alk. paper)</identifier>
  <identifier type="lccn">2012049671</identifier>
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    <recordCreationDate encoding="marc">130118</recordCreationDate>
    <recordChangeDate encoding="iso8601">20230410130757.0</recordChangeDate>
    <recordIdentifier>118609</recordIdentifier>
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