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  <titleInfo>
    <title>Song of myself</title>
    <subTitle>with a complete commentary</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Whitman, Walt</namePart>
    <namePart type="date">1819-1892</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Folsom, Ed</namePart>
    <namePart type="date">1947-</namePart>
    <role>
      <roleTerm type="text">writer of introduction,</roleTerm>
    </role>
    <role>
      <roleTerm type="text">writer of added commentary.</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Merrill, Christopher</namePart>
    <role>
      <roleTerm type="text">writer of introduction,</roleTerm>
    </role>
    <role>
      <roleTerm type="text">writer of added commentary.</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
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    <place>
      <placeTerm type="text">Iowa City</placeTerm>
    </place>
    <publisher>University Of Iowa Press</publisher>
    <dateIssued>2016</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>193 p. ; 23 cm.</extent>
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  <abstract>"This book offers the most comprehensive and detailed reading to date of Song of Myself. One of the most distinguished critics in Whitman Studies, Ed Folsom, and one of the nation's most prominent writers and literary figures, Christopher Merrill, carry on a dialog with Whitman, and with each other, section by section, as they invite readers to enter into the conversation about how the poem develops, moves, improvises, and surprises. Instead of picking and choosing particular passages to support a reading of the poem, Folsom and Merrill take Whitman at his word and interact with "every atom" of his work. The book presents Whitman's final version of the poem, arranged in fifty-two sections; each section is followed by Folsom's detailed critical examination of the passage, and then Merrill offers a poet's perspective, suggesting broader contexts for thinking about both the passage in question and the entire poem"--</abstract>
  <note type="statement of responsibility">Walt Whitman ; introduction and commentary by Ed Folsom and Christopher Merrill.</note>
  <note>Includes bibliographical references and index.</note>
  <subject>
    <topic>Poesía estadounidense</topic>
  </subject>
  <subject>
    <topic>Poesía amorosa</topic>
  </subject>
  <subject authority="lcsh">
    <name type="personal">
      <namePart>Whitman, Walt</namePart>
      <namePart type="date">1819-1892</namePart>
    </name>
    <topic>Criticism and interpretation</topic>
  </subject>
  <subject>
    <name type="personal">
      <namePart>Whitman, Walt, 1819-1892</namePart>
    </name>
    <topic>Crítica e interpretación</topic>
  </subject>
  <subject authority="lcsh">
    <name type="personal">
      <namePart>Whitman, Walt</namePart>
      <namePart type="date">1819-1892</namePart>
    </name>
  </subject>
  <classification authority="lcc">PS 3201 W615s 2016</classification>
  <classification authority="ddc">811.3</classification>
  <relatedItem type="series">
    <titleInfo>
      <title>Iowa Whitman series</title>
    </titleInfo>
  </relatedItem>
  <identifier type="isbn">9781609384654 (paperback)</identifier>
  <identifier type="isbn" invalid="yes"/>
  <identifier type="lccn">2016008501</identifier>
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    <recordCreationDate encoding="marc">160404</recordCreationDate>
    <recordChangeDate encoding="iso8601">20230410132629.0</recordChangeDate>
    <recordIdentifier>127253</recordIdentifier>
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