TY - BOOK AU - Riccardi,Ricky TI - What a wonderful world: the magic of Louis Armstrong's later years SN - 9780307473295 AV - B ML 419 A736R 2011 U1 - 781.65/092 PY - 2011/// CY - New York PB - Pantheon Books KW - Armstrong, Louis KW - 1901-1971 KW - African American musicians KW - Biography KW - Jazz musicians KW - United States KW - Músicos de jazz KW - Biografías KW - Estados Unidos KW - Música de jazz KW - Músicos de jazz afroamericanos KW - Crítica e interpretación N1 - Includes bibliographical references and index; Birth of the All Stars -- Europe, 1948 -- King of the Zulus, 1949 -- Decca days, 1950-1951 -- Personnel changes, 1951-1952 -- The King of Jazz meets the King of Swing, 1953 -- A brush with the law, 1953-1954 -- Columbia masterpieces, 1954-1955 -- Ambassador Satch, 1955-1956 -- Wrath of the critics, 1956 -- Showdown, 1957 -- The rigors of touring at home and abroad, 1957-1959 -- The vicissitudes of cardiac arrest, 1959-1960 -- From the Dukes of Dixieland to Dave Brubeck, 1960-1963 -- Hello, Dolly! 1964 -- From the Iron Curtain to the Crescent City, 1965-1966 -- What a wonderful world, 1967-1968 -- Winter of his discontent, 1968-1970 -- Good evening, everybody, 1970-1971 N2 - Much has been written about Louis Armstrong, but the majority of it focuses on the early and middle stages of his long career. Now, Ricky Riccardi--jazz scholar and musician--takes an in-depth look at the years in which Armstrong was often dismissed as a buffoonish, if popular, entertainer, and shows us instead the inventiveness and depth of expression that his music evinced during this time. These are the years (from after World War II until his death in 1971) when Armstrong entertained crowds around the world and recorded his highest-charting hits, including "Mack the Knife" and "Hello, Dolly!"; years when he collaborated with, among others, Ella Fitzgerald, Duke Ellington, and Dave Brubeck; when he recorded with strings and big bands, and, of course, with the All Stars, his primary recording ensemble. Riccardi makes clear that these were years in which Armstrong enhanced his legacy as one of jazz's most influential figures.--From publisher description ER -