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  <titleInfo>
    <title>Handbook of Creativity</title>
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  <name type="personal">
    <namePart>Sternberg, Robert J.  (Robert Jeffrey)</namePart>
    <namePart type="date">1949-</namePart>
    <role>
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    <place>
      <placeTerm type="text">Cambridge, U.K</placeTerm>
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    <place>
      <placeTerm type="text">New York</placeTerm>
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    <publisher>Cambridge University Press</publisher>
    <dateIssued>1999</dateIssued>
    <issuance>monographic</issuance>
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    <languageTerm authority="iso639-2b" type="code">spa</languageTerm>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
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    <extent>ix, 490 pages :  illustrations ;  25 cm</extent>
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  <abstract>The goal of the Handbook of Creativity is to provide the most comprehensive, definitive, and authoritative single-volume review available in the field of creativity. To this end, the book contains 22 chapters covering a wide range of issues and topics in this field, all written by distinguished leaders. The chapters are intended to be accessible to all readers with an interest in creative thinking. Although the authors are leading behavioral scientists, people in all disciplines will find the coverage of creativity in the arts and sciences to be of interest.</abstract>
  <tableOfContents>List of Contributors
 	Preface
 	Pt. I: Introduction
 	1: Concept of Creativity: Prospects and Paradigms, by Robert J. Sternberg, by Todd I. Lubart -- Page 3
 	2: History of Research on Creativity, by Robert S. Albert, by Mark A. Runco -- Page 16
 	Pt. II: Methods for Studying Creativity
 	3: Psychometric Approaches to the Study of Human Creativity, by Jonathan A. Plucker, by Joseph S. Renzulli -- Page 35
 	4: Experimental Studies of Creativity, by Mark A. Runco, by Shawn Okuda Sakamoto -- Page 62
 	5: Case Study Method and Evolving Systems Approach for Understanding Unique Creative People at Work, by Howard E. Gruber, by Doris B. Wallace -- Page 93
 	6: Creativity from a Historiometric Perspective, by Dean Keith Simonton -- Page 116
 	Pt. III: Origins of Creativity
 	7: Biological Bases of Creativity, by Colin Martindale -- Page 137
 	8: Evolving Creative Minds: Stories and Mechanisms, by Charles J. Lumsden -- Page 153
 	9: Development of Creativity, by David Henry Feldman -- Page 169
 	Pt. IV: Creativity, the Self, and the Environment
 	10: Creative Cognition, by Thomas B. Ward, by Steven M. Smith, by Ronald A. Finke -- Page 189
 	11: From Case Studies to Robust Generalizations: An Approach to the Study of Creativity, by Emma Policastro, by Howard Gardner -- Page 213
 	12: Creativity and Knowledge: A Challenge to Theories, by Robert W. Weisberg -- Page 226
 	13: Creativity and Intelligence, by Robert J. Sternberg, by Linda A. O'Hara -- Page 251
 	14: Influence of Personality on Artistic and Scientific Creativity, by Gregory J. Feist -- Page 273
 	15: Motivation and Creativity, by Mary Ann Collins, by Teresa M. Amabile -- Page 297
 	16: Implications of a Systems Perspective for the Study of Creativity, by Mihaly Csikszentmihalyi -- Page 313
 	Pt. V: Special Topics in Creativity
 	17: Creativity Across Cultures, by Todd I. Lubart -- Page 339
 	18: Computer Models of Creativity, by Margaret A. Boden -- Page 351
 	19: Organizational Creativity, by Wendy M. Williams, by Lana T. Yang -- Page 373
 	20: Enhancing Creativity, by Raymond S. Nickerson -- Page 392
 	21: Prodigies and Creativity, by Michael J. A. Howe -- Page 431
 	Pt. VI: Conclusion
 	22: Fifty Years of Creativity Research, by Richard E. Mayer -- Page 449
 	Author Index -- Page 461
 	Subject Index -- Page 479</tableOfContents>
  <note type="statement of responsibility">edited by Robert J. Sternberg</note>
  <subject>
    <topic>Habilidad creativa</topic>
  </subject>
  <subject>
    <topic>Pensamiento creativo</topic>
  </subject>
  <classification authority="lcc">BF 408  H233 1999</classification>
  <identifier type="isbn">0521576040 (hbk)</identifier>
  <identifier type="isbn"> 9780521572859 (hbk)</identifier>
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