05005cam a2200301 i 4500 96502 96502 BJBSDDR 20230410143137.0 ta 170419s2016 enkaa 000 0 eng 9780231176675 0231176678 9780231176668 023117666X DLC spa DLC eng. PN 1995.9 G762c 2016 791.436581 Grant, Paul Douglas. Cinéma militant : political filmmaking and May 1968 / Paul Douglas Grant London : Wallflower press 2016. viii, 224 p. : ill. ; 24 cm. Acknowledgments List of Abbreviations Introduction 1. Wildcat Strikes and Wildcat Cinema in May '68: ARC 2. Jean-Pierre Thorn: "No investigation, no right to speak" 3. Cinelutte: "Tout ce qui bouge est rouge" 4. Les groupes Medvedkine: Before and After Chris Marker 5. Of Theory and Peasants: Groupe Cinethique Conclusion Notes Filmography BibliographyI Index This history covers the filmmaking tradition often referred to as cinéma militant, which emerged in France during the events of May 1968 and flourished for a decade. While some films produced were created by established filmmakers, including Chris Marker, Jean-Luc Godard, and William Klein, others were helmed by left-wing filmmakers working in the extreme margins of French cinema. This latter group gave voice to underrepresented populations, such as undocumented immigrants (sans papiers), entry-level factory workers (ouvriers spécialisés), highly intellectual Marxist-Leninist collectives, and militant special interest groups. While this book spans the broad history of this uncharted tradition, it particularly focuses on these lesser-known figures and works and the films of Cinélutte, Les groupes medvedkine, Atelier de recherche cinématographique, Cinéthique, and the influential Marxist filmmaker Jean-Pierre Thorn. Each represent a certain tendency of this movement in French film history, offering an invaluable account of a tradition that also sought to share untold histories. Cine 20 Cine 11385 Aspectos políticos Francia lcc BK lmm 0 0 0 0 HU BJB BJB HU 2023-04-10 0 PN 1995.9 G762c 2016 00000117827 2019-01-21 00:00:00 1 2019-01-21 BK