<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[Biblioteca Juan Bosch Search for 'su:&quot;Dialogue.&quot;']]> </title> <link> /cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22Dialogue.%22&#38;sort_by=relevance&#38;format=rss </link> <atom:link rel="self" type="application/rss+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22Dialogue.%22&#38;sort_by=relevance&#38;format=rss"/> <description> <![CDATA[ Search results for 'su:&quot;Dialogue.&quot;' at Biblioteca Juan Bosch]]> </description> <opensearch:totalResults>10</opensearch:totalResults> <opensearch:startIndex>0</opensearch:startIndex> <opensearch:itemsPerPage>50</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=su%3A%22Dialogue.%22&#38;sort_by=relevance&#38;format=opensearchdescription"/> <opensearch:Query role="request" searchTerms="q%3Dccl%3Dsu%253A%2522Dialogue.%2522" startPage="" /> <item> <title> La experiencia dominicana en la cultura del diálogo y la concertación en la república Dominicana : Cumbre por la Unidad Nacional para Enfrentar la Crisis Mundial. [Primera etapa del 28 de enero al 17 de febrero de 2009] / </title> <dc:identifier>ISBN:9789945415254 | 9945415255</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=18140</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/9945415255.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Núñez Collado, Agripino,.<br /> Santiago de los Caballeros : PUCMM, 2009 .<br /> 159 p. : 9789945415254 | 9945415255 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=18140">Place hold on <em>La experiencia dominicana en la cultura del diálogo y la concertación en la república Dominicana :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=18140</guid> </item> <item> <title> Dialogue : rediscover the transforming power of conversation / </title> <dc:identifier>ISBN:0471174661 (cloth : alk. paper)</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=74170</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0471174661.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Ellinor, Linda..<br /> New York : J. Wiley &amp; Sons, 1998 .<br /> l, 366 p. ; 24 cm..<br /> 0471174661 (cloth : alk. paper) </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=74170">Place hold on <em>Dialogue :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=74170</guid> </item> <item> <title> All the best lines : an informal history of the movies / </title> <dc:identifier>ISBN:9781781853061</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=76857</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/1781853061.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Tiffin, George,.<br /> London : Head of Zeus, 2013 .<br /> xiii, 434 p. : 26 cm..<br /> 9781781853061 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=76857">Place hold on <em>All the best lines :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=76857</guid> </item> <item> <title> Crafting dynamic dialogue : the complete guide to speaking, conversing, arguing, and thinking in fiction / </title> <dc:identifier>ISBN:1440345546 | 9781440345548</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=78312</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/1440345546.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> Cincinnati : Writer&#39;s Digest Books, 2016 .<br /> 294 p. : , Includes index. 22 cm.<br /> 1440345546 | 9781440345548 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=78312">Place hold on <em>Crafting dynamic dialogue :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=78312</guid> </item> <item> <title> The fiction writer&#39;s guide to dialogue : a fresh look at an essential ingredient of the craft / </title> <dc:identifier>ISBN:9781621534396</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=78322</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/1621534391.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Hough, John.<br /> New York : Allworth Press, 2015 .<br /> xii, 143 p. , Dialogue is often overlooked as a necessary and potent instrument in the novelist&#39;s repertoire. A novel can rise or fall on the strength of its dialogue. Superb dialogue can make a superb novel. F. Scott Fitzgerald wrote, Action is character. George V. Higgins said, Dialogue is character. They were both right, because dialogue is action. It comprises much, if not all, of the clarifying drama of any novel. How much physical action can there be in 300 pages, even in a crime novel or a thriller? And all conflict, even physical, begins as dialogue. Hough explains how dialogue can reveal a character&#39;s nature as well as his or her defining impulses and emotions. He says there must be tension in every colloquy in fiction, and shows the reader ways to achieve it. Hough illustrates his precepts with examples from his own work and from that of the best modern writers of dialogue, including Cormac McCarthy, Kent Haruf, Joan Didion, Annie Proulx, Lee Smith, Elmore Leonard, George V. Higgins, William Kennedy and Howard Frank Mosher. He cites early 20th century writers who refined and advanced dialogue as an art form: Ernest Hemingway, Ring Lardner, Dorothy Parker, and William Saroyan. Hough&#39;s novel Seen the Glory: A Novel of the Battle of Gettysburg was praised by Lee Smith as containing the best dialogue of the period I have ever read. Hough on Dialogue will give writers and aspiring writers a fresh look at one of the essential ingredients of their craft. 9781621534396 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=78322">Place hold on <em>The fiction writer&#39;s guide to dialogue : a fresh look at an essential ingredient of the craft /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=78322</guid> </item> <item> <title> Constructing dialogue : from Citizen Kane to Midnight in Paris / </title> <dc:identifier>ISBN:9781441108517 (pbk. : alk. paper) | 9781441174253 (hardcover : alk. paper)</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=80185</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/1441108513.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Axelrod, Mark..<br /> New York : Bloomsbury, 2014 .<br /> ix, 316 pages : 24 cm.<br /> 9781441108517 (pbk. : alk. paper) | 9781441174253 (hardcover : alk. paper) </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=80185">Place hold on <em>Constructing dialogue :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=80185</guid> </item> <item> <title> Writing dialogue / </title> <dc:identifier>ISBN:1884910327 (pbk. : alk. paper) | 9781884910326</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=80254</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/1884910327.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Chiarella, Tom,.<br /> Cincinnati, Ohio : Story Press, 1998 .<br /> 170 p. ; , Includes index. 23 cm..<br /> 1884910327 (pbk. : alk. paper) | 9781884910326 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=80254">Place hold on <em>Writing dialogue /</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=80254</guid> </item> <item> <title> Dialogue : techniques and exercises for crafting effective dialogue / </title> <dc:identifier>ISBN:1582972893 (pbk. : alk. paper) | 9781582972893</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=80294</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/1582972893.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Kempton, Gloria,.<br /> Cincinnati, Ohio : Writer&#39;s Digest Book, 2004 .<br /> 232 p. ; , Includes index. 23 cm..<br /> 1582972893 (pbk. : alk. paper) | 9781582972893 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=80294">Place hold on <em>Dialogue :</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=80294</guid> </item> <item> <title> How to write dazzling dialogue : the fastest way to improve any manuscript / </title> <dc:identifier>ISBN:9780910355148 | 0910355142</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=97494</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/0910355142.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Bell, James Scott,.<br /> Woodland Hills, California : Compendium Press, 2014 .<br /> 135 p. ; 22 cm.<br /> 9780910355148 | 0910355142 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=97494">Place hold on <em>How to write dazzling dialogue : </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=97494</guid> </item> <item> <title> Master shots. 100 ways to shoot great dialogue scenes / Vol. 2 : </title> <dc:identifier>ISBN:9781615930555 (pbk.)</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=104643</link> <description> <![CDATA[ <img src="https://images-na.ssl-images-amazon.com/images/P/1615930558.01.TZZZZZZZ.jpg" alt="" /> ]]> <![CDATA[ <p> By Kenworthy, Christopher..<br /> Studio City, CA : Michael Wiese Productions, 2011 .<br /> x, 224 p. : , Sequel to: Master shots / Christopher Kenworthy. 2009. 19 x 28 cm..<br /> 9781615930555 (pbk.) </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=104643">Place hold on <em>Master shots.</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=104643</guid> </item> </channel> </rss>
