Studying film / Nathan Abrams, Ian Bell, Jan Udris.

By:

Abrams, Nathan, 1972-

Contributor(s):

Material type:

TextLanguage: English Series: Studying the media series | Studying the media seriesPublication details: London : Arnold, 2001 Description: x, 322 p. : ill. ; 25 cmISBN:

0340761334
9780340761335

Subject(s):

Cine -- Historia

LOC classification:

PN 1994 A161s 2001

Contents:

Cinema as Institution 1 Hollywood Cinema 2 Production, Distribution and Exhibition 3 Cinema, Audiences and Society 4 Cinema, the Media and Globalization 2 Film as Text 5 Film Technology 6 The Language of Film 7 Early Cinema and Film Form 8 Mainstream and Alternative Film Form 3 Critical Approaches to Film 9 Authorship 10 Genre 11 Stars 12 Meaning and Spectatorship 13 Film Movements and National Cinema 14 British Cinema 15 World Cinema and National Film Movements 16 Alternative Cinema and Other Film Styles Resources Glossary

Summary: This title is designed to help students gain an understanding of the nature of personal responses to film and make use of the critical languages that have been developed to understand the ways in which films and spectators construct meanings.

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Holdings
Item type	Current library	Home library	Collection	Shelving location	Call number	Copy number	Status	Barcode
Libro	Biblioteca Juan Bosch	Biblioteca Juan Bosch	Humanidades	Humanidades (4to. Piso)	PN 1994 A161s 2001 (Browse shelf(Opens below))	1	Available	00000002828

Cinema as Institution
1 Hollywood Cinema
2 Production, Distribution and Exhibition
3 Cinema, Audiences and Society
4 Cinema, the Media and Globalization
2 Film as Text
5 Film Technology
6 The Language of Film
7 Early Cinema and Film Form
8 Mainstream and Alternative Film Form
3 Critical Approaches to Film
9 Authorship
10 Genre
11 Stars
12 Meaning and Spectatorship
13 Film Movements and National Cinema
14 British Cinema
15 World Cinema and National Film Movements
16 Alternative Cinema and Other Film Styles
Resources
Glossary

This title is designed to help students gain an understanding of the nature of personal responses to film and make use of the critical languages that have been developed to understand the ways in which films and spectators construct meanings.

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