World socialist cinema : alliances, affinities, and solidarities in the global Cold War / Masha Salazkina.
Material type:
TextLanguage: English Series: Cinema cultures in contactPublisher: Oakland, California : University of California Press, 2023Description: xiv, 370 pages : illustrations (some color) ; 23 cmContent type: - text
- unmediated
- volume
- 9780520393752 (paperback)
- 0520393759 (paperback)
- Socialism and motion pictures -- Asia -- 20th century
- Socialismo y cine -- Siglo XX
- Socialism and motion pictures -- Africa -- 20th century
- Socialism and motion pictures -- Latin America -- 20th century
- Film festivals -- Uzbekistan -- Tashkent
- Festivales de cine
- Soviet Union -- Foreign relations -- 1945-1991
- 791.43095
- HX 550 S161w 2023
| Item type | Current library | Home library | Collection | Shelving location | Call number | Copy number | Status | Barcode | |
|---|---|---|---|---|---|---|---|---|---|
Libro
|
Biblioteca Juan Bosch | Biblioteca Juan Bosch | Ciencias Sociales | Ciencias Sociales (3er. Piso) | HX 550 S161w 2023 (Browse shelf(Opens below)) | 1 | Available | 00000199854 |
Includes bibliographical references and index.
Soviet Afro-Asian solidarity at Tashkent : setting up the stage
Tashkent
Tashkent 1972-
Tashkent festival critical discourses
The woman question at Tashkent and world socialist (women's) cinema
World cinema of socialist industrial modernity
Cultural heritage in world socialist cinema
World socialist cinema of armed struggle
"World Socialist Cinema: Alliances, Affinities and Solidarities reconstructs the trajectories of international film circulation between the Soviet Bloc and the countries of the Global South in the mid- to late Twentieth Century. The book takes as its focal point the Tashkent International Festival of Cinemas of Asia, Africa and Latin America that took place in Uzbekistan (USSR) throughout the 1970s and 1980s. Centering on the vast body of cinematic work from the three continents screened at the festival and paying particular attention to the internal tensions and gender dynamics within it, the book proposes world socialist cinema as a distinct formation, providing an alternative to Euro-centric and/or national and regional narratives of film history: an international socialist cinema as seen from the vantage point of the Global South"-- Provided by publisher.
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