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007			ta
008			060925s2006 enka b 000 0 eng
020			_a9780571217328
020			_a057121732X
035			_a(OCoLC)ocm70059828
040			_aUKM _cUKM _bspa
041			_aeng
042			_alccopycat
043			_an-mx---
050	1	4	_aPN 1993.5 _bW876f 2006
082	0	0	_a791.430972
100	1		_aWood, Jason, _d1968-
245	1	4	_aThe Faber book of Mexican cinema / _cJason Wood.
246	3		_aBook of Mexican cinema
246	3		_aMexican cinema
260			_aLondon : _bFaber and Faber, _c2006.
300			_axiii, 196 p. : _bill. ; _c24 cm.
504			_aIncludes bibliographical references (p. 187-188) and index.
505			_aFront matter -- 1. 'Golden Age', El Grupo Nuevo Cine, Boom and Bust -- 2. Another 'New Mexican Cinema': 1989-94 -- 3. Adventures in Hollywood, and More Generational Stirrings -- 4. The Making of Amores Perros -- 5. Y tu mamá también and The Devil's Backbone -- 6. Japón, El crimen del padre Amaro, Nicotina, and El Misterio del Trinidad -- 7. 21 Grams and Hellboy -- 8. The State of Things -- Back matter
520			_a"The international successes of Amores Perros and Y tu mamá también alerted the eyes of the world to the riches to be found in Mexican cinema, from the talents of directors Alejandro González Iñárritu and Alfonso Cuarón to the poster-boy looks and electrifying screen presence of Gael García Bernal. Their rise to prominence, abetted by a new entrepreneurial spirit amongst Mexican financiers and producers, coincided with an emerging generation of Mexican cinemagoers thirsting for intelligent, identity-affirming, locally made product. Having endured a period of relative famine throughout the eighties and nineties, Mexican audiences once more had a national cinema to shout about, and the global audience and Hollywood too have had to sit up and take notice."
650		0	_aMotion pictures _zMexico.
650		4	_aCine _zMéxico _920
650		4	_aCine mexicano _911929
906			_a7 _bcbc _ccopycat _d2 _encip _f20 _gy-gencatlg
942			_2lcc _cBK