| 000 | 02691 a2200325 4500 | ||
|---|---|---|---|
| 999 |
_c116726 _d116726 |
||
| 003 | BJBSDDR | ||
| 005 | 20230411090812.0 | ||
| 007 | ta | ||
| 008 | 220822s2017 enk||||| |||| 00| 0 eng d | ||
| 020 | _a9781786645272 | ||
| 020 | _a1786645270 | ||
| 040 |
_bspa _cBJBSDDR |
||
| 041 | _aeng | ||
| 050 | 1 | 4 |
_aPN 3433.5 _bA858 2017 |
| 245 | 0 | 4 |
_aThe astounding illustrated history of science fiction : _bmovies, art, comics, pulp magazines, fiction / _cDave Golder (Autor), Jess Nevins (Autor), Russ Thorne (Autor), Sarah Dobbs (Autor), David Langford (Consultor y Editor) y Pat Mills |
| 260 |
_aLondon : _bFlame Tree Publishing, _c2017 |
||
| 300 |
_a191 pages : _billustrations (chiefly colour) ; _c29 x 30 cm |
||
| 505 | _aForeword Introduction Science fiction unbound: pre-1500-1894 New frontiers: 1895-1925 The rise of the pulps: 1926-1942 A time of transition: 1943-1959 Reinventing the genre: 1960-1976 Back to the future: 1977-1989 The information age: 1990-2008 The future is now: 2009-2020 Key people Further reading | ||
| 520 | _aUsing timelines, online links, illustrations, posters, movie stills, book covers, and more, this book propels us into the well of modern imagination, from its roots in Frankenstein, through Verne, H.G. Wells, the late gothic and weird horror of Lovecraft to the mass market sensationalism of the Pulp magazines. The Pulps then invoked a new generation of writers (such as Ray Bradbury and Robert Bloch) of the Golden Age before many transitioned to screenwriting for the movies and early TV (Psycho, Star Trek, Twilight Zone), inspiring, in turn, the invasion of superheroes, gigantic spaceships, and dystopian landscapes onto our data-streaming tablets and computers. The book explores the interplay between great writers, (Asimov and Arthur C. Clarke) and story-telling directors (Kubrick, James Cameron, Ridley Scott, Christopher Nolan, George Lucas) who create powerful Sci-Fi, reflecting and challenging the developments of technology, science and society. Each have played a major role in this all-consuming, speculative form of world-building, from its early manifestation as a shocking literary event, to the mass market sensation is today | ||
| 650 | 4 |
_912966 _aCiencia ficción |
|
| 650 | 4 |
_93105 _aCiencia ficción _xHistoria y crítica. |
|
| 650 | 4 |
_910785 _aPelículas de ciencia ficción |
|
| 650 | 4 |
_921565 _aCine de ciencia ficción |
|
| 650 | 4 |
_923082 _aTiras cómicas, historietas, etc. _xHistoria y crítica |
|
| 700 | 1 |
_924353 _aGolder, Dave _eAutor |
|
| 700 | 1 |
_924395 _aMills, Pat _q(Patrick Eamon), _d1949- _eprologuista |
|
| 700 | 1 |
_924396 _aLangford, David, _d1953- _eeditor |
|
| 942 |
_2lcc _cBK |
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| 946 | _idpf | ||