| 000 | 03323cam a22004935i 4500 | ||
|---|---|---|---|
| 001 | 23759603 | ||
| 003 | BJBSDDR | ||
| 005 | 20240815123424.0 | ||
| 006 | a|||||r|||| 00| 0 | ||
| 007 | ta | ||
| 008 | 240701s2024 enka bq 001 0 eng | ||
| 010 | _a 2024402602 | ||
| 020 | _a9781839023439 (paperback) | ||
| 020 | _a1839023430 (paperback) | ||
| 040 |
_aDLC _cDLC _beng |
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| 041 | _aeng | ||
| 042 | _apcc | ||
| 050 | 1 | 4 |
_aML 2075 _bF793m 2024 |
| 100 | 1 |
_aFox, Neil _q(Neil James) _937818 |
|
| 245 | 1 | 0 |
_aMusic films : _bdocumentaries, concert films and other cinematic representations of popular music / _cNeil Fox. |
| 264 | 1 |
_aLondon : _bBritish Film Institute, _c2024. |
|
| 300 |
_axiii, 265 pages : _billustrations ; _c24 cm |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
||
| 338 |
_avolume _bnc _2rdacarrier |
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| 504 | _aIncludes bibliographical references, filmography and index. | ||
| 505 | 0 | _aIntroduction Part one. Form and feel 'What should I say?' milestones and innovations 'We'll try for a groove' music making and the careers of musicians Part two. Politics and place 'Secret black technologies' black music 'Wherever we are, we are' place 'I just have to deal with it' women Part three. Performativity and performance 'Fuck continuity' truth and myth 'Walk on stage and fucking 'ave it' concert and tour films | |
| 520 | _aIn Music Films, Neil Fox considers a broad range of music documentaries, delving into their cinematic style, political undertones, racial dynamics, and gender representations, in order to assess their role in the cultivation of myth. Combining historical and critical analyses, and drawing on film and music criticism, Fox examines renowned music films such as A Hard Day's Night (1964), Dig! (2004), and Amazing Grace (2006), critically lauded works like Milford Graves Full Mantis (2018) and Mistaken for Strangers (2013), and lesser-studied films including Jazz on a Summer's Day (1959) and Ornette: Made in America (1985). In doing so, he offers a comprehensive overview of the genre, situating these films within their wider cultural contexts and highlighting their formal and thematic innovations. Discussions in the book span topics from concert filmmaking to music production, the music industry, touring, and filmic representations of authenticity and truth. Overall, Music Films traces the evolution of the genre, highlighting its cultural significance and connection to broader societal phenomena"--Publisher's description | ||
| 650 | 0 |
_aDocumentary films _xHistory and criticism. |
|
| 650 | 4 |
_aDocumentales _xHistoria y crítica _91850 |
|
| 650 | 0 |
_aConcert films _xHistory and criticism. |
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| 650 | 0 | _aPopular music in motion pictures. | |
| 650 | 4 |
_aMúsica para cine _xHistoria y crítica _934324 |
|
| 650 | 0 |
_aPopular music _xHistory and criticism. |
|
| 650 | 4 |
_aMúsica popular _xHistoria y crítica _9107 |
|
| 650 | 0 |
_aJazz _xHistory and criticism. |
|
| 650 | 4 |
_aMúsica de jazz _xHistoria y crítica. _97677 |
|
| 650 | 0 |
_aMusic videos _xHistory and criticism. |
|
| 650 | 4 |
_aVídeos musicales _xHistoria y crítica _937997 |
|
| 650 | 4 |
_aCine y música _921128 |
|
| 906 |
_a0 _bibc _corigres _d2 _encip _f20 _gy-gencatlg |
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| 942 |
_2lcc _cBK |
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| 999 |
_c121870 _d121870 |
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