000			02174 a2200313 4500
003			BJBSDDR
005			20241030125345.0
007			ta
008			270924s2023 enk 00| 0 eng d
020			_a9781844578719
020			_a1844578712
040			_beng _cDLC
041			_aeng
050	1	4	_aPS 3525 _bT242g 2023
100	1		_aTaylor, Helen, _d1947- _939280
245	1	0	_aGone with the wind / _cHelen Taylor.
260			_aLondon : _bPalgrave on behalf of the British Film Institute, _c2023.
300			_a117 pages : _billustrations (some color) ; _c19 cm.
490	1		_3 BFI film classics
500			_a"This special edition features original cover artwork by HelloVon"--Page [4] of cover
505			_aForeword.- 1. Introduction.- 2. Selznick's Folly: How Gone With the Wind was Made.- 3. The Greatest Star England Ever Gave Hollywood: Britain and the Search for Scarlett.- 4. The Racial Politics of Gone With the Wind.- 5. Scarlett and Rhett Destined or Doomed?- Conclusion.- Notes.- Bibliography.- Filmography
520			_a"Gone With the Wind (1939), the highest-grossing film of all time, is sometimes dismissed as a reactionary popular romance. Interrogating such dismissals and hailing the film's vast ambition and astonishing production values, Helen Taylor explores its influence on film-makers, popularity with generations of audiences, and impact on everyday language. Arguing that the film, with its disturbing racial politics, set the agenda for more than a century's film representations of slavery and the Civil War, Taylor shows how it has been engaged with and challenged since -- form the mini-series Roots (1977) to 12 Years a Slave (2014). Drawing on new archival material about Vivien Leigh and seventy-five years of scholarship and popular culture references, Taylor makes the case for the film's classic status."--Page [4] of cover
600	1	4	_aMitchell, Margaret, _d1900-1949 _tGone with the wind _939281
630	0	4	_aLo que el viento se llevó (Película cinematográfica) _926718
650		4	_aNovela histórica estadounidense _927990
830		0	_aBFI film classics _931244
942			_2lcc _cBK
946			_idpf
999			_c122103 _d122103