| 000 | 01802cam a2200325 4500 | ||
|---|---|---|---|
| 999 |
_c19045 _d19045 |
||
| 003 | BJBSDDR | ||
| 005 | 20230410102111.0 | ||
| 007 | ta | ||
| 008 | 060907s1997 pau eng | ||
| 020 | _a1566394848 | ||
| 020 | _a9781566394840 | ||
| 040 |
_bspa _cBJBSDDR |
||
| 041 | _aeng | ||
| 050 | 1 | 4 |
_a118 ML 3465 _bA933m 1997 |
| 082 | 0 | 0 | _a784.18/88 |
| 100 | 1 |
_aAusterlitz, Paul, _d1957- |
|
| 245 | 1 | 0 |
_aMerengue : _bDominican music and Dominican identity / _cPaul Austerlitz |
| 260 |
_aPhiladelphia : _bTemple University Press, _c1997 |
||
| 300 |
_axviii, 195 p. : _bil., mús. ; _c23 cm |
||
| 505 | 0 | _aThe history of merengue 1854-1961, 15. -- Nineteeth-century Caribbean merengue, 15. -- Merengue cibaeño, cultural nationalism, and resistence, 30. -- Music and the state : Merengue during the Era of Trujillo, 1930-1961, 52. -- The contemporary era, 1961-1995, 83. -- Merengue in the transnational community, 83. -- Innovation and social issues in pop merengue, 105. -- Merengue on the global stage, 123. -- Enduring localism, 135 | |
| 520 | _aMerengue is a quintessential Dominican dance music. This work aims to unravel the African and Iberian roots of merengue. It examines the historical and contemporary contexts in which merengue is performed and danced, its symbolic significance, its social functions, and its musical and choreographic structures. | ||
| 650 | 0 | _aMerengue (Dance) | |
| 650 | 4 |
_aMerengue (Música) _925207 |
|
| 650 | 0 |
_aDance music _zDominican Republic _xHistory and criticism. |
|
| 650 | 4 |
_aMúsica _919743 _xHistoria y crítica _zRepública Dominicana |
|
| 650 | 4 |
_aMúsica popular _924450 _zRepública Dominicana |
|
| 650 | 4 |
_aMúsica bailable _925208 _zRepública Dominicana |
|
| 650 | 4 |
_aMerengue (Acordeon, guira y tambora) _xHistoria |
|
| 942 |
_2lcc _cBK |
||