| 000 | 02544nam a2200265 4500 | ||
|---|---|---|---|
| 999 |
_c72409 _d72409 |
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| 003 | BJBSDDR | ||
| 005 | 20230410124153.0 | ||
| 007 | ta | ||
| 008 | 060907s2000 nyu eng | ||
| 020 | _a0312230133 | ||
| 020 | _a9780312230135 | ||
| 040 |
_bspa _cBJBSDDR |
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| 041 | _aeng | ||
| 050 | 1 | 4 |
_aP 302.7 _bL131n 2000 |
| 082 | 0 | 0 | _a401/.41 |
| 100 | 1 |
_aLacey, Nick, _d1961- |
|
| 245 | 1 | 0 |
_aNarrative and genre : _bkey concepts in media studies / _cNick Lacey |
| 260 |
_aNew York : _bSt. Martin's Press, _c2000 |
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| 300 |
_aix, 268 pages ; _c23 cm |
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| 505 | _aIntroduction to Narrative Theory -- Once upon a time -- openings -- What is narrative? -- Todorov and narrative structure -- Propp's narrative functions -- Levi-Strauss and binary oppositions -- Barthes's narrative codes -- A History of Narrative -- The Epic of Gilgamesh -- Aristotle's theory of art -- The oral tradition -- Le Morte D'Arthur (The Death of Arthur) -- Shakespeare -- The novel -- Romanticism -- Modernism -- Postmodernism -- Theory of Narrative 2 -- More advanced narrative theory -- Narrative voice -- Ideological narrative analysis -- The Searchers -- Alternative narrative systems -- Alternative narrative and documentary -- Theory of Genre 1 -- Generic conventions -- The basic schema of genre -- Genre and society -- Film noir and 'hard-boiled' crime novels -- the repertoire of elements -- The TV cop genre: NYPD Blue -- oppositions in genre -- Science fiction -- repertoire of elements and history -- Melodrama -- a genre and a style -- Genre and format -- Theory of Genre 2 -- Genre -- the chicken or the egg? -- Twelve generic approaches to media texts -- Genre as Jungian myth -- Genre and gender -- soap opera -- Generic cycles -- Non-realistic genres -- horror -- Genre and semiotics -- Ideology and genre criticism -- Genres and scheduling -- Conclusion: narrative and genre -- Basic Instinct (Paul Verhoeven, 1992) -- Nora Prentiss (Vincent Sherman, 1947) -- Psycho (Alfred Hitchcock, 1960) -- The Searchers (John Ford, 1956) -- Strange Days (Kathryn Bigelow, 1995) -- The Usual Suspects (Bryan Singer, 1995). | ||
| 520 | _aIt then moves on to offer an extensive analysis of the basic schema and conventions of genre, drawing on the film noir, the TV cop genre and science fiction for examples, and showing how the repertoire of elements of each ranges across setting, character, narrative, iconography, style and stars | ||
| 650 | 4 |
_95531 _aAnálisis del discurso |
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| 650 | 4 |
_915486 _aGéneros literarios |
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| 942 |
_2lcc _cBK |
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