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| 008 | 091207s2006 ne 000 u und d | ||
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_aDKDLA _b31352122 |
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| 041 | _aeng | ||
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| 050 | 1 | 4 |
_aPN 1992.75 _bK29p 2006 |
| 082 | 0 | 0 | _a791.450232 |
| 100 | 1 |
_aKellison, Cathrine _934176 |
|
| 245 | 1 | 0 |
_aProducing for TV and video : _ba real - world approach / _cCathrine Kellison. |
| 260 |
_aAmsterdam : _bElsevier ; _aBoston : _bFocal Press, _c2006. |
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| 300 |
_axxvii, 281 pages ; _c29 cm + _e1 CD-ROM. |
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| 505 | 0 | _aPreface; Introduction; PART I - 1 What Does a TV Producer Really Do?;I. The TV Producer's Domain; II. Defining a TV Producer; A. Who Makes a Good Producer?; III. The TV Producer's Roles; IV. Titles and Job Descriptions of TV Producers; V. The Need for People Skills; VI. Summary; VII. Chapter Review Questions; 2 TV: Past, Present - and Future; I. Television is a Unique Medium; II. How TV Works; III. The Impact of Human Vision on TV; IV. The Creators of Television; V. Television's Evolution; VI. Television's Transitions - From the 1920s to the Present; VII. Summary; VIII. Chapter Review Questions; 3 Script and Project Development: The Big Idea; I. Think It; II. Write It; II. Develop It; IV. Summary; V. Chapter Review Questions; 4 Breakdowns, Budgets, and Finance: Connecting the Dots; I. Break the Idea Down; II. Budget the Idea; III. Find the Financing; IV. Summary; V. Chapter Review Questions; 5 Legalities and Rights: Welcome to Reality; I. Own It; II. If You Don't Own It, Get Permission to Use It ; III. Protect It; IV. Double-Check It; V. Summary; VI. Chapter Review Questions; 6 Pitching and Selling the Project; I. Pitching and Selling: The Big Picture of Television ; II. Research your Pitch; III. Create the Pitc; V. Keep Pitching; VI. Summary; VII. Chapter Review Questions; 7 Pre-Production: The Plan; I. The Script; II. The Talent; III. The Crew; IV. Scheduling the Shoot; V. Summary; VI. Chapter Review Questions; 8 Production: The Shoot; I. The Producer's Role; II. On Set and On Location; III. The Camera; IV. Lighting; V. Audio; VI. The Actual Shoot; VII. Summary; VIII. Chapter Review Questions; 9 Post-Production: The Final Product; I. The Producer's Role; II. The Editor's Role; III. The Sound Designer's Role; IV. Delivering the Final Product; V. Summary; VI. Chapter Review Questions; 10 It's a Wrap! Then, Next Steps; I. It's a Wrap!; II. Professional Next Steps; III. Festivals; IV. Grants; V. Publicity; VI. Starting Your Own Production Company; VII. Summary; VIII. Chapter Review Questions; PART I I; 11 Producing in the Real-World: Conversations with the Pros; I. Chapter Review Questions; Glossary; Resources by Chapter | |
| 520 | _aSuitable for those interested in a career in TV production, this book explains the role of the TV producer, including descriptions of a producer's day-to-day duties and tasks and a big picture overview of the production process in general and how the producer fits in. | ||
| 650 | 4 |
_aTelevisión _xProducción y dirección _915329 |
|
| 650 | 4 |
_aVideos _xProducción y dirección _913721 |
|
| 650 | 4 |
_aGrabaciones en cintas de video _xProducción y dirección _934177 |
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| 650 | 0 | _aVideo recordings. | |
| 650 | 0 | _aTelevision producers and directors. | |
| 650 | 0 |
_aTelevision _xProduction and direction. |
|
| 650 | 0 |
_aVideo recordings _xProduction and direction. |
|
| 942 |
_2lcc _cBK |
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| 946 | _anc | ||
| 999 |
_c76310 _d76310 |
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