| 000 | 01689cam a2200265 a 4500 | ||
|---|---|---|---|
| 001 | 128119 | ||
| 003 | BJBSDDR | ||
| 005 | 20260310164847.0 | ||
| 008 | 891206s1991 cauaf bq 001 0 eng | ||
| 020 | _a0534122949 | ||
| 040 |
_aDLC _cDLC |
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| 041 | _aeng | ||
| 050 | 1 | 4 |
_aPN1993.5.A1 _bG633 1990 |
| 082 | 0 | 0 | _a791.43 |
| 100 | 1 |
_aGomery, Douglas _941297 |
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| 245 | 1 | 0 |
_aMovie history : _ba survey / _cDouglas Gomery. |
| 260 |
_aBelmont, Calif. : _bWadsworth Pub. Co., _cc1991. |
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| 300 |
_axvi, 510 p., [4] p. of plates : _bill. (some col.) ; _c23 cm. |
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| 500 | _aIncludes bibliographical references (p. 442-468) and index. | ||
| 505 | _aPreface. Part I: The silent cinema 1895-1927. The invention and innovation of the movies. The triumph of Hollywood. Hollywood establishes the classic narrative style. Influential alternatives to Hollywood: European cinema. The Soviet experiment in filmmaking. Part II: The Hollywood studio era: 1928-1950. The coming of sound and the studio system. The golden age of Hollywood moviemaking. Pre-World War II alternatives to Hollywood: France, Britain, and Germany. Post-World War II alternatives to Hollywood. The television era: 1951-1975. Part III: The television era: 1951 to 1975. Television, wide-screen and colour. Transformation in Hollywood movie-making. The art cinema alternative. Searching for alternative styles. An epilogue: contemporary film history. Bibliography. Filmographies and sources of films. Index. | ||
| 520 | _aGomery's text is the first film history text to treat movies both as an important economic industry and as mass social art. | ||
| 650 | 0 |
_aMotion pictures _xHistory. |
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| 942 |
_2lcc _cBK |
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| 946 | _ilmm | ||
| 999 |
_c80059 _d80059 |
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