| 000 | 01020cam a2200277 i 4500 | ||
|---|---|---|---|
| 001 | 128121 | ||
| 003 | BJBSDDR | ||
| 005 | 20251203101823.0 | ||
| 008 | 800321s1980 nyu b 000 0 eng | ||
| 020 | _a0525475265 (pbk.) | ||
| 020 | _a0525087400 | ||
| 040 |
_aDLC _cDLC |
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| 041 | _aeng | ||
| 050 | 1 | 4 |
_aPN 1995 _bH496c 1980 |
| 082 | 0 | 0 | _a791.43 |
| 100 | 1 |
_aHenderson, Brian. _946341 |
|
| 245 | 1 | 2 |
_aA critique of film theory / _cby Brian Henderson. |
| 250 | _a1st ed. | ||
| 260 |
_aNew York : _bDutton, _c1980. |
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| 300 |
_axxii, 233 p. ; _c22 cm. |
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| 500 | _aIncludes bibliographical references. | ||
| 505 | 0 | _aClassical film theory: Two types of film theory. The structure of Bazin's thought. The long take. Toward a non-bourgeois camera style. Godard on Godard.--Film semiotics and cine-structuralism: Metz, Essais I and film theory. Segmentation. Film semiotics as semiotics. Critique of cine-structuralism I and II. | |
| 650 | 0 |
_aMotion pictures _xPhilosophy. |
|
| 942 |
_2lcc _cBK |
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| 946 | _ilmm | ||
| 999 |
_c80134 _d80134 |
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