| 000 | 02698cam a2200325 i 4500 | ||
|---|---|---|---|
| 001 | 124627 | ||
| 005 | 20230410132856.0 | ||
| 008 | 170328b2011 nyua 000 0 eng | ||
| 020 | _a9780307473295 | ||
| 020 | _a9780307378446 | ||
| 020 | _a0307378446 | ||
| 041 | 0 | _aEng | |
| 050 | 1 | 4 |
_aB ML 419 _bA736R 2011 |
| 082 | 0 | 0 | _a781.65/092 |
| 100 | 1 |
_aRiccardi, Ricky, _d1980- |
|
| 245 | 1 | 0 |
_aWhat a wonderful world : _bthe magic of Louis Armstrong's later years / _cRicky Riccardi |
| 260 |
_aNew York : _bPantheon Books , _c2011. |
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| 300 |
_a369 p. : _bill. ; _c25 cm. |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aBirth of the All Stars -- Europe, 1948 -- King of the Zulus, 1949 -- Decca days, 1950-1951 -- Personnel changes, 1951-1952 -- The King of Jazz meets the King of Swing, 1953 -- A brush with the law, 1953-1954 -- Columbia masterpieces, 1954-1955 -- Ambassador Satch, 1955-1956 -- Wrath of the critics, 1956 -- Showdown, 1957 -- The rigors of touring at home and abroad, 1957-1959 -- The vicissitudes of cardiac arrest, 1959-1960 -- From the Dukes of Dixieland to Dave Brubeck, 1960-1963 -- Hello, Dolly! 1964 -- From the Iron Curtain to the Crescent City, 1965-1966 -- What a wonderful world, 1967-1968 -- Winter of his discontent, 1968-1970 -- Good evening, everybody, 1970-1971. | |
| 520 | _aMuch has been written about Louis Armstrong, but the majority of it focuses on the early and middle stages of his long career. Now, Ricky Riccardi--jazz scholar and musician--takes an in-depth look at the years in which Armstrong was often dismissed as a buffoonish, if popular, entertainer, and shows us instead the inventiveness and depth of expression that his music evinced during this time. These are the years (from after World War II until his death in 1971) when Armstrong entertained crowds around the world and recorded his highest-charting hits, including "Mack the Knife" and "Hello, Dolly!"; years when he collaborated with, among others, Ella Fitzgerald, Duke Ellington, and Dave Brubeck; when he recorded with strings and big bands, and, of course, with the All Stars, his primary recording ensemble. Riccardi makes clear that these were years in which Armstrong enhanced his legacy as one of jazz's most influential figures.--From publisher description. | ||
| 650 | 0 |
_aArmstrong, Louis, _d1901-1971. |
|
| 650 | 0 |
_aAfrican American musicians _vBiography. |
|
| 650 | 0 |
_aJazz musicians _zUnited States _vBiography. |
|
| 650 | 4 |
_aMúsicos de jazz _vBiografías. |
|
| 650 | 4 |
_aMúsicos de jazz _zEstados Unidos. |
|
| 650 | 4 | _aMúsica de jazz. | |
| 650 | 4 |
_aMúsicos de jazz afroamericanos _xCrítica e interpretación. |
|
| 942 |
_2lcc _cbk |
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| 999 |
_c89362 _d89362 |
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